Powwow Dances
Powwow dancers attempt to catch the judges' eyes with personal style,
footwork falling on the beat of the music, and well-made dance attire.
A dancer can be disqualified if they dance off beat, drop a part of
the dance outfit during the performance, or fail to stop with both
feet on the ground when the last beat of the drum sounds. A good dancer
combines traditional aspects with personal attitude and individuality.
Men's Traditional Dance
Men's Traditional dancers tell a story with their movements - one
of hunting, tracking, fighting, or imitating the courtship dances
of prairie birds. The dancers' feet stay close to the ground while
their heads and upper bodies actively play out their story line. This
dance and the associated dance dress, or regalia, originated with
19th century warrior society members who danced to recount their war
deeds and to tell stories.
Men's Fancy Dance
Taking basic steps and regalia from the Traditional dance, Fancy
Dancers dress is noted for the colorful beadwork, feathers, ribbons,
and an additional bustle worn at the back of the neck - accentuating
each of the dancer's athletic movements. The best Fancy Dancers are
able to make the complex movements of their body and regalia fall
on beat with the drum as well as dazzle your eyes.
Men's Grass Dance
Marked by quick and fluid movements, the Grass Dance is more active
than the Men's Traditional dance. Grass Dancers move by shaking their
shoulders, swaying their torsos from the hip, and darting suddenly
to change their direction. They do not wear a bustle, but rather a
shirt and pants heavily fringed with ribbon, yarn or cloth moving
as an extension of the dancer's body, reminiscent of prairie grass
swaying in the wind. Some Grass Dancers use trick steps that give
the appearance that the dancer is off balance, only to gracefully
recover just in time.
Women's Traditional Dance
The Women's Traditional dance is a powerful and personal dance of
expression. These dancers move with extreme grace and subtlety, keeping
their feet close to the ground and either moving slowly forward or
bobbing slightly with the beat of the drum. These simple steps have
their origin in older times when women did not dance in the arena,
but stood outside the circle and kept time with their feet. Dancers
wear or carry shawls, a sign of modesty and respect, and long traditional
buckskin or cloth dresses.
Women's Fancy Shawl Dance
Fancy Shawl dancers are recognized by their energetic dance style,
in which they seem to float around the arena, their shawls outstretched
like beautiful wings. Dancers create this illusion by moving around
the arena on their toes, kicking high and twirling into the air. This
dance is extremely athletic and strenuous, and is usually danced by
girls and young women. The dancers keep up with the fast pace of the
song while retaining a gentle elegance, using their beautifully decorated
fringed shawls to accentuate every movement.
Women's Jingle Dress Dance
The most musical of the powwow dances, the Jingle Dress competition
is gracefully accompanied by the tinkling sound of the jingle dress
in motion. These dancers are distinctive in their dresses covered
by rows of triangular metal cones. The dance has no set choreography,
and dancers use a variety of rocking, stepping and hopping motions
to make the jingles on their dresses chime along with the beat of
the drum. Although this dance originated in Northern Minnesota among
the Anishinabe people, it has become tremendously popular among women
dancers of all ages on the Northern Plains.
Tiny Tots Dance
When the announcer calls for the Tiny Tots dance, a number of young
children fill the arena; dancing, wiggling and jumping along to the
beat of the drum. The Tiny Tots dance includes young children, ages
6 and under, who are just learning to dance - encouraging them to
join in with powwow activities. The inclusion of youngsters in the
powwow dances ensures that the next generation carries on the powwow
tradition - and work to become the champion powwow dancers of tomorrow!
Social Dances
In addition to competition dances and specials, a number of social
dances fill the powwow schedule. Among these are the intertribal and
round dances, that include all dance categories, ages and genders.
Powwow visitors should feel free to join in these dances upon invitation
from the Emcee.
Music: The Drums
It is hard to imagine a powwow without a drum. It is the drum that
makes the dancers want to move, and the better the drum, the more
the dancers feel the excitement of the performance. The drum is a
term used to refer to both the instrument and the group of people
sitting at the drum to play and sing. One or more lead singers, who
start the songs, may have over one hundred songs in the personal repetoire.
The songs sung at powwow are varied and endless in number: some are
traditional and passed down through history, others are contemporary
and created to speak to current concerns and interests. Some of the
songs are sung in their traditional tribal language, which aides to
keeping the languages alive and vital for the younger generation.
Many of the songs are sung in vocables (rhythmically sung syllables)
such as "hey," "yah" or "lay." The use
of vocables makes the songs easier for singers and dancers of all
tribes to remember. There are typically a number of drum groups at
each powwow, and they trade off the playing duties for each song.
The Plains Indian Museum sponsors the spectacular Plains
Indian Museum Powwow held each June in the Robbie Powwow Garden
at the Buffalo Bill Historical Center. Dancers from all over North
America come to Cody to compete for cash and prizes. |