Powwow -Today & Yesterday
What is a Powwow?
Be sure to join us at the Plains Indian Museum Powwow! Have fun watching
the dancers, listening to the drums, tasting the fry bread, purchasing
Native American arts and crafts, and learning about the cultures and
traditions of powwow.
According to Emma Hansen, Curator of the Plains Indian Museum, "This
is an opportunity for Indian people to interpret their own culture
rather than having visitors becoming familiar with Native cultures
only through lecture-based learning. Visitors are exposed to humanities-based
learning themes such as history, languages, ethnomusicology, as well
as contemporary issues."
Hansen emphasizes that visitors to this colorful gathering are more
than just onlookers." Spectators have many opportunities to actively
participate in some of the dances. By joining in the festivities,
the audience learns more about Plains Indian people, their lives and
their heritage," she said.
The impressive Grand Entry marks the official start of the powwow.
The color guard of veterans enter the arena carrying the American
Flag, State Flag and Eagle Staff, representing American Indian Nations,
families and communities. They are followed by dignitaries, including
respected elders, and then the dancers fill the arena beginning with
male traditional dancers and ending with the smallest children. In
the competitive sessions, dancers use the whole arena to exhibit their
skills with grace and finesse.
The powwow is an exciting educational event for visitors, and a gathering
of family, friends and fellow competitors for dancers and drummers.
The Plains Indian Museum Powwow is an intertribal competitive powwow,
not an exhibition powwow. Dancers from all over the United States
compete for cash and prizes.
Male dancers go against each other in the traditional, grass dance
and fancy categories. While the women compete in traditional, fancy
and jingle dress dancing. There are team dancing competitions, as
well as specials sponsored by local businesses. The dance categories
are divided into age groups, ranging from Golden Age (55 and over)
to Tiny Tots (6 and under).
Many Native American artists also gather at the Robbie Powwow Garden
to exhibit traditional art, crafts and jewelry for display and sale.
Powwow History
The modern powwow is an evolution of a variety of dance traditions,
combined with ceremonial, social, and warrior society dances. Native
American dance traditions and religious practices survived a ban by
the United States Government during the second half of the 19th century,
when cultural events had to go "underground." The dances
and ceremonies were either held in secret on reservations, or were
masked as other activities.
After the government lifted its ban in 1933, dance, once again, took
an active public place in American Indian life. Returning World War
II Indian veterans were honored at "Homecoming Dances." During this
time, American Indian society also rebuilt important social ties and
customs such as honoring elders, and naming and adoption ceremonies.
Powwows gained further prominence in the 1950s and 1960s, throughout
the Plains region when Sioux, Crow, and Blackfeet tribes began to
sponsor intertribal gatherings for fun and dancing. Over the last
twenty years, powwows have moved from the reservations to large convention
centers and gyms in cities all around the country.
Although the warrior societies and early Plains "Homecoming" powwows
of the past were primarily the domain of male dancers, contemporary
powwows are open to everyone: men, women, and even small children.
Participation of men and women, "tiny tots," and elders indicates
that not only are music and dance alive and well in Plains Indian
culture, but that they will continue to play an important role for
future generations.
To Learn More About Powwows We Recommend the Following Books:
Native American Dance: Ceremonies and Social Traditions
Charlotte Heth, 1992
Smithsonian Institution with Starwood Publishing, Washington D.C.
Powwow
George P. Horse Capture, 1989
Buffalo Bill Historical Center, Cody, Wyoming
Powwow
Ben Marra, 1996
Harry N. Abrams, New York
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